One of the most surprising things I heard at this summer’s RWA Conference was from a panel of published YA authors who said they did not have any teenagers as beta readers. I still think about this because, though I do have critique partners and beta readers, I don’t haven any teenagers reading my books…yet.
Yes, there are a significant amount of adults who read YA–including me–and adult beta readers are great for giving feedback on how that audience will see the book. However, I don’t want to rely on adults alone when my primary audience would be younger. A younger beta reader might bring something up an adult would never think of because they aren’t immersed in that culture anymore. I don’t mean slang and fashion because we want our books to have a timeless quality, but I want to make sure my characters act and think like authentic teens.
The problem an author runs into here is the same problem they have with adult beta readers, and that is: “Who can I trust with my book?” I love hearing stories of authors with teenage children who are a wealth of information and inspiration. I also love hearing about teenagers who writers and trade with their friends. I’m not lucky enough to be in either of these situations, but I do have teenagers in my extended family who I might begin with. It’s just a matter of being brave enough to ask. 🙂
Whatever you write–do you have beta readers? If so, are they close to you?
Michelle Joyce Bond
Somewhere between grading, lesson plans, curriculum, and the general pull-my-hair-out stress that comes with the beginning of the school year, I lost myself.
All that was left of me dissolved into my job. Still–and I hold true to this–never a day without a word! I crawl into bed exhausted, cuddle up with a notebook, and write, write, write because there is no therapy like word therapy. I have literally been sleeping with notebooks.
But today…I got to wear my writer’s hat in the daylight.
The expertise and enthusiasm of the presenters at our workshops gave me the little kick I needed to get back on the book train. There are too many “best parts” to count, but Roxanne St. Claire’s workshop on scene revision definitely resonated with me. We share a similar revision process which I won’t go into detail about, but it was good to hear that I’m not the only one who stops in the middle of her first draft and goes back to rewrite it from the top.
On that note, I’m returning to my latest WIP, mid-draft revising it for the second time and writing (finally!) to the end. So here’s to finding myself again, buried deep in the words.
Have you ever been to a writing conference? If so, what’s the best piece of advice you learned there?
Michelle Joyce Bond
I don’t write negative book reviews. My reasons for this are mostly selfish. Perhaps one day I’ll be lucky enough to get published and a hypothetical bunch of people will write somewhat flattering reviews of my book…though I suppose scathingly harsh reviews wouldn’t be so bad (because, as the cliché goes, there’s no such thing as bad publicity). But writers hope for good reviews since they’ve struggled to send that over-edited block of textual thought (which is, in the end, a rather solid abstraction of the fluid, unattainable work of the imagination) out into the universe…and they’re hoping to see ripples come back.
My husband once asked me, “Why is it so important to you that you get published?” The question stumped me. I had plenty of reasons for writing–some selfish, some not– but publishing is more an issue of connectedness. I don’t want fame. I want people to have read my words, empathize with the characters, lose themselves a little bit in their lives, and be haunted by the ghost of the book even after they turned the last page. I want them to think about it later. That would mean something in the essence of the book moved from short-term enjoyment to long-term effect. I want to–as corny as it sounds–move someone.
They say art is a mirror to life–that we react to books and paintings and music and other abstractions with the essence of the human element in them because we see something of ourselves. So…if I make art, does it count as art if nobody is there to experience it? (Insert tree falling in the woods metaphor here!) Well, I suppose, I am reading it. I see surprising bits of myself in my writing and react to them, so I guess there’s that. But how much more cool is it to know that someone else read your human bits and are approximating the same thing that you are–that they are also human and their humanness is reacting to your humanness. Fire catching fire.
And what if someone who read my book was kind enough to write a review? That review would be another block of textual, abstracted, thoughty bits, but in it, I might see evidence of the fire I set. And I guess that would make me feel…warm. 🙂
Michelle Joyce Bond
NJRW 2014 Put Your Heart in a Book Conference — “30 Years of Happily Ever Afters!”
October 17-18, 2014
Renaissance Woodbridge Hotel
Early Bird Pricing: June 1-July 31st
NJRW Member $215 – Non-member $240
Prices go up August 1st, so get in early.
Don’t miss this opportunity to take your writing to the next level. This year’s Put Your Heart in a Book Conference is shaping up to be the best ever.
Susan Mallery: Keynote Speaker
Stella Cameron: Luncheon Speaker
Jennifer Probst: Special Presentation*
Roxanne St Claire: 3-hour Pre-Conference Workshop ($45)
* For first 100 registrants
Some things to expect:
- Workshops for writers of all levels
- Editor/Agent Appointments
- Literacy Book Fair/Author Signings (a portion of proceeds will go to Literacy Volunteers of NJ)
- Opportunities for Networking
Here is a partial list of agents and editors scheduled to attend:
- Louis Fury, The Bent Agency
- Jita Fumich, Folio Literary Management
- Lisa Rodgers, JABberwocky Literary Agency
- Annelise Robey, Jane Rotrosen Agency
- Lori Perkins, LPerkins Agency
- Sarah E. Younger, Nancy Yost Literary Agency
- Stephany Evans, FinePrint Literary Management
- Nicole Fisher, Avon Books
- Sarah Murphy, Bantam Dell
- Angela James, Carina Press
- Treva Harte, Loose Id
- Lauren McKenna, Pocket Books
- Mary Altman, Sourcebooks Inc.
- Cat Clyne, Sourcebooks Inc.
- Eileen Rothschild, St. Martin’s Press
- Melissa Ann Singer, Tor/Forge
- Julie Mianecki, Berkley
- Kristine Swartz, Berkley
… … and more to come
- Madeline Hunter, PAN/PUB Retreat Kickoff Speaker
- Susan Mallery, Screw The Muse, I’m on a Deadline
- Stella Cameron, People Make Your Story
- Jennifer Probst and Jen Talty, Sweet, Snarky, or Sexpot: What Makes a Good Heroine?
- Christine Bush, First Timer’s Workshop
- Anne Walradt, Writing the “Can’t Put It Down” Novel
- Laura Curtis, Personal Branding for Authors
- Nancy Herness, Sell Your Book, Not Your Soul
- Julie Ann Walker, The Hard and Fast Rules for a Kickass Query & How to Make Your Characters THUNDER
- Beth Ciotta, Derring-Do, The Passionate Writer’s Guide to Success
- Julie Rowe, Taming Twitter 2-hour block
- Mary Burton, Novel Write
- Joanna Shupe, Tech Tips for Writers
- Judi Fennell, How to Self Publish & Novel In A Nutshell
- Tina Gallagher and Pattie Giordani, Pitch Perfect
- Nisha Sharma, GMC in the YA Novel & Score! Game plans, Strategies, and Plays
- Sandra Pesso, Work Your Social Media Platform like a Rockstar
- Shiloh Walker, Draw Me A Story
- Jen Talty, Building Your Author Brand
- Bob Mayer, Write It Forward
- Jen Talty and Bob Mayer, E-pub, POD, and the Future of Publishing
- Laura Kaye, The Secrets Behind Becoming a Bestseller
- Kristen Painter, Worldbuilding Through a Series
- Diana Cosby, Marketing for Impact 2-hour block
- Donna MacMeans, Grab Your Reader on Page 1
- Mallory Braus and Elizabeth London, Top Ten Ways You’re Showing Rather Than Telling
- Laurie Cooper, This Bridge Looks REALLY High
- K.M. Fawcett and Cathy Tully, Looking for Action? Writing Believable Fight Scenes
- Leigh Duncan, A Walk In The Plot
- Victoria Pinder, Be Your Own Agent
- Judith Roth, The Art of Self-Editing
- Sarah Younger
- Jeanette Grey, Domains and Graphics
- Vicky Sue Dreiling, Make Them Laugh, Make Them Cry
- Maria Snyder, Classic Writing Mistakes
- Susan Wall, Book Trailer Boot Camp
- Louisa Edwards, How to Give and Get Better Critiques
- Peter Andrews, How to Write Fast
- Laurie Bevin Cooper, How to Make Opportunities Happen
- Paula Scardamalia, How to Use the Tarot To Write
To register, click here!
If you have questions, please contact: DC “Desi” Stone, NJRW’s 2014 Conference Chair, at firstname.lastname@example.org or, Jackson D’Lynne, Assistant Chair, at email@example.com
For registration questions, please contact: Jenny Baskwell Registrar, at firstname.lastname@example.org.
We will be adding to the list of agents and editors, so please check our web site www.njromancewriters.org frequently for updates!
People who read like writers add layers of complexity to their understanding of written work. We reverse engineer novels, trying to figure out exactly how an author put it all together. This is in addition to normal regiment of deconstruction we usually apply to books, picking out theme, structure, figurative language, characterization, conflict, etc.
Why do we do it? It’s…well, it’s fun! Narratives are like abstract puzzles. In my mind, they’re meant to be taken apart and their pieces examined to see how they both echo and add up to the larger whole.
I wonder about the process of a writer. How did this masterpiece (or pile of mush) I’m reading come to be? How can studying the choices the writer made help me improve my own writing?
When you read like a writer, you annoy the people around you by over-analyzing everything. This is part of the fun…and boy am I going to have a lot of fun with you.
So here I present a new mission I’m adding to my blog: to deconstruct good YA paranormal books, focusing on what writers can learn from them.
My job and hobby make it difficult to find time to read, but I aim to get in as many quality books as I can. Now, I need your help!
Have you read any YA paranormal books (preferably romance) that will blow my mind and keep me up all night thinking? I’m looking for books that are well-written exemplars for writers to use as a model for their own craft.
Hit me with some good books!
Michelle Joyce Bond